About the song
“Vietnam” by Jimmy Cliff is a powerful protest song that addresses the profound social and political climate of the 1960s and 1970s. Released in 1970, the track was part of his album Jimmy Cliff, which marked a significant phase in Cliff’s career as he evolved into an artist not only known for his reggae sound but also for his poignant social commentary. With “Vietnam,” Cliff used music as a platform to speak out against the Vietnam War and its devastating effects, making it one of the most memorable protest songs of the era.
The song’s lyrics are a stark reflection on the horrors and senselessness of war. “Vietnam” captures the emotional and moral confusion surrounding the conflict, condemning both the violence and the political motivations behind it. The chorus, with its powerful lines like “Oh Vietnam, Vietnam, what are they fighting for?” brings attention to the futility of war and the human cost of geopolitical conflicts. Cliff’s heartfelt delivery amplifies the emotional weight of the song, and his performance allows listeners to feel the urgency and gravity of his message.
Musically, “Vietnam” blends reggae rhythms with a more folk-inspired sound, setting it apart from traditional reggae tracks and enhancing its universal appeal. The infectious, laid-back beat is contrasted by the serious, reflective nature of the lyrics, creating a compelling tension that draws the listener in. Cliff’s voice, with its passionate delivery, adds emotional depth to the song, making it resonate with people from all walks of life, particularly those who were deeply impacted by the war or by the civil rights movements of the time.
The release of “Vietnam” came during a period of intense political unrest in the United States and around the world. The 1960s and early 1970s were marked by widespread protests against the Vietnam War, with young people and activists rallying for peace. Jimmy Cliff’s song captured the sentiments of those who opposed the war and highlighted the global call for justice and peace. At the same time, the track reflects the growing power of reggae as a vehicle for social and political expression. While Bob Marley would go on to become the global face of reggae, Jimmy Cliff was one of the genre’s first international stars, and “Vietnam” played a significant role in bringing reggae music to a broader audience, especially in the United States.
Beyond its role as a protest song, “Vietnam” was also a significant cultural statement. In the context of the civil rights movement and growing calls for racial justice, the song positioned Jimmy Cliff as a voice for the oppressed. His reggae music was a perfect vehicle for expressing solidarity with people worldwide who were fighting against oppression—whether it was racial, political, or social. The song’s release in 1970, just after the Tet Offensive and amid ongoing protests, made it an anthem for peace and a call for reflection on the personal and societal costs of war.
Socially and politically, “Vietnam” reinforced the power of music as a tool for activism. As the 1960s gave way to the 1970s, artists like Jimmy Cliff were using their platforms to speak out on issues that were central to the zeitgeist. In doing so, they were not only contributing to the soundtrack of a generation but also actively participating in the shaping of public discourse. For Cliff, “Vietnam” was more than just a song—it was a statement of solidarity, a rallying cry for peace, and a clear condemnation of the destructive power of war.
In conclusion, “Vietnam” by Jimmy Cliff remains one of the most important protest songs of the 20th century, capturing the essence of the 1960s counterculture and the global opposition to the Vietnam War. Released in 1970, it stands as a powerful testament to the ability of music to inspire change, raise awareness, and bring attention to the struggles of the oppressed. With its mix of reggae rhythms, folk influences, and socially conscious lyrics, “Vietnam” continues to resonate with listeners as a poignant reminder of the human cost of conflict and the need for global peace. Cliff’s ability to blend music with activism helped to pave the way for future generations of musicians to use their voices to comment on the world around them, making “Vietnam” not only a cultural touchstone but also an enduring symbol of musical protest.
Video
Lyrics
Hey, Vietnam, Vietnam, Vietnam, VietnamVietnam, Vietnam, VietnamYesterday I got a letter from my friendFighting in Vietnam And this is what he had to say ‘Tell all my friends that I’ll be coming home soon My time it’ll be up some time in June Don’t forget, he said to tell my sweet Mary Her golden lips as sweet as cherriesAnd it came fromVietnam, Vietnam, Vietnam, Vietnam Vietnam, Vietnam, VietnamIt was just the next day his mother got a telegramIt was addressed from Vietnam Now mistress Brown, she lives in the USA And this is what she wrote and said Don’t be alarmed, she told me the telegram said But mistress Brown your son is deadAnd it came fromVietnam, Vietnam, Vietnam, Vietnam Vietnam, Vietnam, Vietnam Somebody please stop that war nowIt was just the next day his mother got a telegramIt was addressed from Vietnam Now mistress Brown, she lives in the USA And this is what she wrote and said Don’t be alarmed, she told me the telegram said Oh, but mistress Brown your son is deadAnd it came fromVietnam, Vietnam, Vietnam, Vietnam Vietnam, Vietnam, Vietnam Somebody please stop itVietnam, Vietnam, Vietnam, VietnamVietnam, Vietnam, Vietnam What I’m saying now somebody stop that war